Description
I was invited by Kate Finning and Andrew Murray (University of Melbourne) to a garage in Fitzroy to speak for 10-15 minutes about an obsession.With some nice slides, I highlighted orthographic drawings ability to communicate as a language with various dialects, briefly tracing its different guises in relation to four themes:
I. the archaic
II. war
III. the occult
IV. ambiguity between drawings & models
The Garage Talks and Garage Papers were born without insulation, zoning, funding, or permission, and began with a simple insistence: the freedom to talk about architecture for its own sake. What started as conversations in a garage grew into a space for those who believe in buildings as material, historical, and cultural realities—often overlooked by institutions obsessed with the “extra-” of the discipline.
Drawing on a distinctly Melbourne lineage of informal talk clubs and independent publishing, the project reclaims architecture as a confident cultural practice: a hobby, a pleasure, and something fun.
| Period | Sept 2025 |
|---|---|
| Held at | Garage Talks and Garage Papers, Australia |
| Degree of Recognition | National |
Related content
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Research output
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Representation as quotation: the verbal and visual language of Kenneth Frampton in Architectural Design, 1962-1964
Research output: A Conference proceeding or a Chapter in Book › Conference contribution › peer-review
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Theoretical iterations of paraline projection from Ivan Leonidov, O. M. Ungers, and OMA
Research output: A Conference proceeding or a Chapter in Book › Conference contribution › peer-review
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The Technology of Axonometry in 1960s Britain: Kenneth Frampton and Peter Eisenman
Research output: A Conference proceeding or a Chapter in Book › Conference contribution › peer-review
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Trajectories of Axonometry through Distances and Disciplines
Research output: A Conference proceeding or a Chapter in Book › Conference contribution › peer-review