16hz

Shane STRANGE

Research output: Textual Creative WorksOther contribution

Abstract

They speak a mellifluous language of their own, pitched somewhere between a
wheel of cheese and velveteen. I know. I've swelled a scene or two, felt
the vibrations through the refreshment table, or in the corners where I
mumble. I've learned beauty strikes them between certain frequencies: a
mundane sonance. I can identify the euphony, but not always its cause. I
must have missed the memo, or had it misread to me. Untuned, I submerge
beneath sonar range, below human hearing: evolving in dark waters, like
weird fishes; or an octabass, 1850, Jean Baptiste Vuillame, 16hz
Original languageEnglish
PublisherFoam:e
Place of PublicationOnline
Volume13
Publication statusPublished - 2016

Publication series

NameFoam:e
PublisherFoam:e
No.13
ISSN (Electronic)1449-6445

Fingerprint

Wheel
Hearing
Euphony
Language
Water
Fish
Causes

Cite this

STRANGE, S. (2016). 16hz. Online: Foam:e.
STRANGE, Shane. / 16hz. 2016. Online : Foam:e. (Foam:e; 13).
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year = "2016",
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publisher = "Foam:e",
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STRANGE, S 2016, 16hz. Foam:e, Online.

16hz. / STRANGE, Shane.

Online : Foam:e. 2016, . (Foam:e; No. 13).

Research output: Textual Creative WorksOther contribution

TY - GEN

T1 - 16hz

AU - STRANGE, Shane

PY - 2016

Y1 - 2016

N2 - They speak a mellifluous language of their own, pitched somewhere between a wheel of cheese and velveteen. I know. I've swelled a scene or two, feltthe vibrations through the refreshment table, or in the corners where I mumble. I've learned beauty strikes them between certain frequencies: a mundane sonance. I can identify the euphony, but not always its cause. I must have missed the memo, or had it misread to me. Untuned, I submerge beneath sonar range, below human hearing: evolving in dark waters, like weird fishes; or an octabass, 1850, Jean Baptiste Vuillame, 16hz

AB - They speak a mellifluous language of their own, pitched somewhere between a wheel of cheese and velveteen. I know. I've swelled a scene or two, feltthe vibrations through the refreshment table, or in the corners where I mumble. I've learned beauty strikes them between certain frequencies: a mundane sonance. I can identify the euphony, but not always its cause. I must have missed the memo, or had it misread to me. Untuned, I submerge beneath sonar range, below human hearing: evolving in dark waters, like weird fishes; or an octabass, 1850, Jean Baptiste Vuillame, 16hz

M3 - Other contribution

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T3 - Foam:e

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STRANGE S. 16hz. 2016.