Beyond the ‘usual suspects’: #ROCUR social media accounts and voice, controversy and trolling

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    Abstract

    ‘Rotation curation’ (#ROCUR) refers to the social media practice involving
    participants from stakeholder publics ‘taking over’ a relevant established
    account for a set period of time. Since @sweden appeared on Twitter in
    December 2011, at least 70 #ROCUR accounts have been developed. These
    accounts aim to provide an insider’s view of countries (such as @ireland,
    @WeAreQatar and @WeAreAustralia), cities (such as @PeopleofLeeds and
    @beingTokyo), cultures (such as @IndigenousX and @IndigenousXca) and
    professions (such as @realscientists and @wespeechies). Guest curation
    involves tweeting about what is important to the curator as well as engaging
    others in conversation and being responsive, often for a period of a week.
    Importantly, guest curators are free to talk as themselves rather than on behalf
    of others. There have been occasions when the personal views of guest
    curators of the @sweden account have caused controversy and resulted in
    media coverage. Yet the offensive tweets did not repel followers; instead,
    guest curators involved in the controversies attracted more followers to the
    account and, in turn, the account holder’s anti-censorship approach was
    celebrated. The tension that animates most of these controversies is that guest
    curators speak as themselves but also speak for a country, city, culture or
    profession. This is explored further to understand the practice of expressing
    ‘authentic voice’. We examine the reflexive commentary produced by guest
    curators of various accounts and media reporting on controversies as a way of
    critically engaging with the tension between authenticity and professionalism,
    not only in the textual communications but also in the modes of engagement
    in terms of trolls and ‘conversations’. By doing so, we aim to better
    understand the perceived value of ‘authentic voice’ in a more complex way as
    an interplay between persona and participatory conversations.
    Original languageEnglish
    Title of host publicationANZCA Conference Proceedings 2017
    EditorsFiona Dwyer
    Place of PublicationAustralia
    PublisherAustralian and New Zealand Communication Association
    Pages1-16
    Number of pages16
    Publication statusPublished - 2018
    EventANZCA 2017 Communication Worlds: Access, Voice, Diversity, Engagement - University of Sydney, Sydney, Australia
    Duration: 5 Jul 20177 Jul 2017
    http://anzca2017.com/conference-information/call-for-papers/

    Publication series

    NameANZCA Conference
    PublisherAustralian and New Zealand Communication Association
    ISSN (Print)1448-4331

    Conference

    ConferenceANZCA 2017 Communication Worlds
    Country/TerritoryAustralia
    CitySydney
    Period5/07/177/07/17
    Internet address

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