TY - GEN
T1 - Collaboration Between Robots, Interfaces and Humans
T2 - 49th International Computer Music Conference: Sound in Motion, ICMC 2024
AU - Savery, Anna
AU - Savery, Richard
N1 - Publisher Copyright:
Copyright: ©2024 Anna Savery et al.
PY - 2024
Y1 - 2024
N2 - This paper provides an analysis of a mixed-media experimental musical work that explores the integration of human musical interaction with a newly developed interface for the violin, manipulated by an improvising violinist, interactive visuals, a robotic drummer and an improvised synthesised orchestra. We first present a detailed technical overview of the systems involved including the design and functionality of each component. We then conduct a practice-based review examining the creative processes and artistic decisions underpinning the work, focusing on the challenges and breakthroughs encountered during its development. Through this introspective analysis, we uncover insights into the collaborative dynamics between the human performer and technological agents, revealing the complexities of blending traditional musical expressiveness with artificial intelligence and robotics. To gauge public reception and interpretive perspectives, we conducted an online survey, sharing a video of the performance with a diverse audience. The feedback collected from this survey offers valuable viewpoints on the accessibility, emotional impact, and perceived artistic value of the work. Respondents’ reactions underscore the transformative potential of integrating advanced technologies in musical performance, while also highlighting areas for further exploration and refinement.
AB - This paper provides an analysis of a mixed-media experimental musical work that explores the integration of human musical interaction with a newly developed interface for the violin, manipulated by an improvising violinist, interactive visuals, a robotic drummer and an improvised synthesised orchestra. We first present a detailed technical overview of the systems involved including the design and functionality of each component. We then conduct a practice-based review examining the creative processes and artistic decisions underpinning the work, focusing on the challenges and breakthroughs encountered during its development. Through this introspective analysis, we uncover insights into the collaborative dynamics between the human performer and technological agents, revealing the complexities of blending traditional musical expressiveness with artificial intelligence and robotics. To gauge public reception and interpretive perspectives, we conducted an online survey, sharing a video of the performance with a diverse audience. The feedback collected from this survey offers valuable viewpoints on the accessibility, emotional impact, and perceived artistic value of the work. Respondents’ reactions underscore the transformative potential of integrating advanced technologies in musical performance, while also highlighting areas for further exploration and refinement.
UR - https://www.scopus.com/pages/publications/85216187112
UR - https://www.proceedings.com/content/078/078241webtoc.pdf
M3 - Conference contribution
AN - SCOPUS:85216187112
SN - 9798331311315
T3 - International Computer Music Conference, ICMC Proceedings
SP - 274
EP - 281
BT - Proceedings of the 49th International Computer Music Conference 2024, ICMC 2024
A2 - Kye, Hee Seng
A2 - Dudas, Richard
PB - International Computer Music Association
Y2 - 7 July 2024 through 13 July 2024
ER -