TY - JOUR
T1 - Cultural policy between television and digital platforms
T2 - the case of SVOD regulation in Australia
AU - Lobato, Ramon
AU - Douglas, James
AU - Scarlata, Alexa
AU - Cunningham, Stuart
N1 - Funding Information:
The work was supported by the Australian Research Council [DP190100978, FT190100144].
Publisher Copyright:
© 2022 Informa UK Limited, trading as Taylor & Francis Group.
PY - 2024
Y1 - 2024
N2 - As subscription video-on-demand (SVOD) services enter new markets, they become subject to national laws and regulations. This incorporation into national governance is driven by various priorities that include cultural diversity, censorship, and local protectionism. In this article, we provide a critical analysis of the attempted process of SVOD policy-making in Australia, where the entry of services including Netflix, Amazon Prime Video and Disney+ has prompted much concern about the future of local content production and distribution. Focusing on the years 2017 to 2022, under the former centre-right Liberal/National coalition government, we excavate the origins and outcomes of a protracted ‘harmonisation’ process that ultimately prioritised the interests of national commercial broadcasters. We also show how SVOD production incentives came to be preferenced over catalog quotas as a mechanism for cultural policy. In this way, our analysis explores how one mid-sized, English-speaking nation initially grappled with the challenges inherent in regulating global platforms, amidst a charged public debate about the future of local screen content.
AB - As subscription video-on-demand (SVOD) services enter new markets, they become subject to national laws and regulations. This incorporation into national governance is driven by various priorities that include cultural diversity, censorship, and local protectionism. In this article, we provide a critical analysis of the attempted process of SVOD policy-making in Australia, where the entry of services including Netflix, Amazon Prime Video and Disney+ has prompted much concern about the future of local content production and distribution. Focusing on the years 2017 to 2022, under the former centre-right Liberal/National coalition government, we excavate the origins and outcomes of a protracted ‘harmonisation’ process that ultimately prioritised the interests of national commercial broadcasters. We also show how SVOD production incentives came to be preferenced over catalog quotas as a mechanism for cultural policy. In this way, our analysis explores how one mid-sized, English-speaking nation initially grappled with the challenges inherent in regulating global platforms, amidst a charged public debate about the future of local screen content.
KW - Australia
KW - cultural policy
KW - discoverability
KW - Netflix
KW - Subscription video-on-demand (SVOD)
UR - http://www.scopus.com/inward/record.url?scp=85146978001&partnerID=8YFLogxK
U2 - 10.1080/10286632.2022.2160715
DO - 10.1080/10286632.2022.2160715
M3 - Article
AN - SCOPUS:85146978001
SN - 1028-6632
VL - 30
SP - 1
EP - 16
JO - International Journal of Cultural Policy
JF - International Journal of Cultural Policy
IS - 1
ER -