Abstract
Artist residencies offer opportunities for creative interaction be-
tween different cultures, communities, and practitioners. Be-
yond providing time and space, hosts facilitate artists’ immer-
sive social encounters with place, allowing them to explore un-
familiar processes of experimentation. Drawing on a case study
of a robotics and arts-based residency, which birthed the chore-
ographed robotic installation ‘First Kiss’ by Melanie Lane, this
short paper considers the complex rhythms of transdisciplinary
collaboration; their awkward intimacies challenging seamless
trajectories of innovation.
tween different cultures, communities, and practitioners. Be-
yond providing time and space, hosts facilitate artists’ immer-
sive social encounters with place, allowing them to explore un-
familiar processes of experimentation. Drawing on a case study
of a robotics and arts-based residency, which birthed the chore-
ographed robotic installation ‘First Kiss’ by Melanie Lane, this
short paper considers the complex rhythms of transdisciplinary
collaboration; their awkward intimacies challenging seamless
trajectories of innovation.
| Original language | English |
|---|---|
| Title of host publication | ISEA2024 Everywhen |
| Editors | Gavin Sade, Andrew Brown, Leah Barclay, Jen Seevink, Anastasia Tyurina, Rewa Wright |
| Place of Publication | Brisbane |
| Publisher | Queensland University of Technology |
| Pages | 1090 |
| Number of pages | 4 |
| Volume | 1 |
| ISBN (Electronic) | 9781925553550 |
| Publication status | Published - 2024 |
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