This research investigates fifteen Australian choreographers who participated in Natalie Cursio’s With a Bullet: The Album Project (WAB), a dance project that foregrounds cognitive and phenomenological processes of human memory in its design. Cursio’s curatorial framework imposed three elements: each choreographer recalled and employed the first song to which they ever ‘made up a dance’; reframed it with the set of skills they had acquired as professionals in composing dance and presenting performance; and imbued the method of making a routine with a contemporary sensibility and an approach that offered the choreographers a reflective opportunity to trace personal dance histories. In this empirical investigation of memory as it relates to choreographic practice, I examine choreographic cognition with a particular focus on the use of ‘sounded’ (i.e. sound-triggered) memory recall to reflect upon choreographic options.
|Title of host publication||Performing the Remembered Present|
|Subtitle of host publication||The Cognition of Memory in Dance, Theatre and Music|
|Editors||Pil Hansen, Bettina Bläsing|
|Place of Publication||London|
|Number of pages||28|
|Publication status||Published - 2017|