Disconcerted Memory: a review of L Dougan, White Clay

Paul HETHERINGTON

Disconcerted Memory: a review of L Dougan, White Clay

Creative & Cultural Practice

Research output: Contribution to Newspaper/Magazine/Bulletin › Book/Film/Article review

Abstract

Lucy Dougan's recent collection of poetry, white clay, demonstrates a considerably wider range than her first collection, Memory Shell, while reaffirming how centrally preoccupied her poetry is with the potency of lost time, and also with finding the truth behind appearances, locating what is hidden or marginal and tracking down family ghosts.

Original language	English
Pages	54
Number of pages	1
No.	303
Specialist publication	Australian Book Review
Publication status	Published - Jul 2008

Fingerprint Dive into the research topics of 'Disconcerted Memory: a review of L Dougan, White Clay'. Together they form a unique fingerprint.

Cite this

@misc{a938fc0168654440a536337a5e6f65da,

title = "Disconcerted Memory: a review of L Dougan, White Clay",

abstract = "Lucy Dougan's recent collection of poetry, white clay, demonstrates a considerably wider range than her first collection, Memory Shell, while reaffirming how centrally preoccupied her poetry is with the potency of lost time, and also with finding the truth behind appearances, locating what is hidden or marginal and tracking down family ghosts.",

author = "Paul HETHERINGTON",

year = "2008",

month = jul,

language = "English",

pages = "54",

journal = "Australian Book Review",

issn = "0155-2864",

}

TY - GEN

T1 - Disconcerted Memory

T2 - a review of L Dougan, White Clay

AU - HETHERINGTON, Paul

PY - 2008/7

Y1 - 2008/7

N2 - Lucy Dougan's recent collection of poetry, white clay, demonstrates a considerably wider range than her first collection, Memory Shell, while reaffirming how centrally preoccupied her poetry is with the potency of lost time, and also with finding the truth behind appearances, locating what is hidden or marginal and tracking down family ghosts.

AB - Lucy Dougan's recent collection of poetry, white clay, demonstrates a considerably wider range than her first collection, Memory Shell, while reaffirming how centrally preoccupied her poetry is with the potency of lost time, and also with finding the truth behind appearances, locating what is hidden or marginal and tracking down family ghosts.

M3 - Book/Film/Article review

SP - 54

JO - Australian Book Review

JF - Australian Book Review

SN - 0155-2864

ER -