TY - JOUR
T1 - Displaced metaphors
T2 - Collaborative poetic responses to language in a postphysical world
AU - Bullock, Owen
AU - McKnight, Lucinda
AU - Todd, Ruby
N1 - Funding Information:
We thank CERN for the very successful operation of the LHC, as well as the support staff from our institutions without whom ATLAS could not be operated efficiently. We acknowledge the support of ANPCyT, Argentina; YerPhI, Armenia; ARC, Australia; BMWFW and FWF, Austria; ANAS, Azerbaijan; SSTC, Belarus; CNPq and FAPESP, Brazil; NSERC, NRC and CFI, Canada; CERN; CONICYT, Chile; CAS, MOST and NSFC, China; COLCIENCIAS, Colombia; MSMT CR, MPO CR and VSC CR, Czech Republic; DNRF and DNSRC, Denmark; IN2P3-CNRS, CEA-DSM/IRFU, France; SRNSF, Georgia; BMBF, HGF, and MPG, Germany; GSRT, Greece; RGC, Hong Kong SAR, China; ISF, I-CORE and Benoziyo Center, Israel; INFN, Italy; MEXT and JSPS, Japan; CNRST, Morocco; NWO, Netherlands; RCN, Norway; MNiSW and NCN, Poland; FCT, Portugal; MNE/IFA, Romania; MES of Russia and NRC KI, Russian Federation; JINR; MESTD, Serbia; MSSR, Slovakia; ARRS and MIZŠ, Slovenia; DST/NRF, South Africa; MINECO, Spain; SRC and Wallenberg Foundation, Sweden; SERI, SNSF and Cantons of Bern and Geneva, Switzerland; MOST, Taiwan; TAEK, Turkey; STFC, United Kingdom; DOE and NSF, United States of America. In addition, individual groups and members have received support from BCKDF, the Canada Council, CANARIE, CRC, Compute Canada, FQRNT, and the Ontario Innovation Trust, Canada; EPLANET, ERC, ERDF, FP7, Horizon 2020 and Marie Skłodowska-Curie Actions, European Union; Investissements d’Avenir Labex and Idex, ANR, Région Auvergne and Fondation Partager le Savoir, France; DFG and AvH Foundation, Germany; Herakleitos, Thales and Aristeia programmes co-financed by EU-ESF and the Greek NSRF; BSF, GIF and Minerva, Israel; BRF, Norway; CERCA Programme Generalitat de Catalunya, Generalitat Valenciana, Spain; the Royal Society and Leverhulme Trust, United Kingdom. The crucial computing support from all WLCG partners is acknowledged gratefully, in particular from CERN, the ATLAS Tier-1 facilities at TRIUMF (Canada), NDGF (Denmark, Norway, Sweden), CC-IN2P3 (France), KIT/GridKA (Germany), INFN-CNAF (Italy), NL-T1 (Netherlands), PIC (Spain), ASGC (Taiwan), RAL (U.K.) and BNL (U.S.A.), the Tier-2 facilities worldwide and large non-WLCG resource providers. Major contributors of computing resources are listed in ref. [111].
Funding Information:
Open Access, Copyright CERN, for the benefit of the ATLAS Collaboration. Article funded by SCOAP3.
Publisher Copyright:
© The Author(s) 2017.
PY - 2017
Y1 - 2017
N2 - This practice-led paper discusses an ongoing creative and conceptual collaboration between three authors, in which poetry is approached as a means of exploring how lived experience and language are being transformed by the rapid evolution of digital devices and technologies. We reflect on our use of poetry to explore and interrupt the increasing invisibility of metaphors such as ‘cloud’ and ‘screen’ as applied to technology, by re-foregrounding the disjunctions between metaphor and what it describes. Engaging with the work of Paul Ricouer and Maurice Blanchot, we consider the unique operations of literary language and the ability of poetry to invite critical encounter in ways that foreground physical sensation and the free association of signifiers. We explore how such poetic engagements offer an important means of approaching questions concerning the implications of digitisation, via language and lived experience on what we perceive as the ‘real.’ In this context, we consider Baudrillard’s dystopic postulations regarding simulacra and hyperreality, and Susan Stewart’s perception of digital modes of communication as inducing a nostalgic longing for the immediacy of pre-digital reality. As this paper will discuss, such possibilities, at once dystopic and mournful, are at once complicated and offset by the generative potential of creative engagements with digitisation, which have exciting possibilities for creative practice.Keywords: metaphor, poetry, digital technology
AB - This practice-led paper discusses an ongoing creative and conceptual collaboration between three authors, in which poetry is approached as a means of exploring how lived experience and language are being transformed by the rapid evolution of digital devices and technologies. We reflect on our use of poetry to explore and interrupt the increasing invisibility of metaphors such as ‘cloud’ and ‘screen’ as applied to technology, by re-foregrounding the disjunctions between metaphor and what it describes. Engaging with the work of Paul Ricouer and Maurice Blanchot, we consider the unique operations of literary language and the ability of poetry to invite critical encounter in ways that foreground physical sensation and the free association of signifiers. We explore how such poetic engagements offer an important means of approaching questions concerning the implications of digitisation, via language and lived experience on what we perceive as the ‘real.’ In this context, we consider Baudrillard’s dystopic postulations regarding simulacra and hyperreality, and Susan Stewart’s perception of digital modes of communication as inducing a nostalgic longing for the immediacy of pre-digital reality. As this paper will discuss, such possibilities, at once dystopic and mournful, are at once complicated and offset by the generative potential of creative engagements with digitisation, which have exciting possibilities for creative practice.Keywords: metaphor, poetry, digital technology
M3 - Article
SN - 1327-9556
VL - 21
SP - 1
EP - 19
JO - TEXT: Journal of Writing and Writing Courses
JF - TEXT: Journal of Writing and Writing Courses
IS - 1
M1 - 24
ER -