This research examines the use of financial mechanisms to impose controls while facilitating blame avoidance by public office-holders. A qualitative historical examination is used to examine legislation designed to prevent Radio Caroline, a pirate radio station, from broadcasting into Britain in the 1960s. Radio Caroline made a mockery of the British Government’s power to manage radio through a monopolist, the British Broadcasting Corporation. In addition, Radio Caroline played the type of rock music the British Government sought to suppress because it represented the undesirable side of youth culture. Hence, inter-generational conflict was connected to the British Government’s attitude towards Radio Caroline. This research examines the suppression of Radio Caroline through the Marine & Broadcasting (Offences) Act (UK) 1967 and the legislative scapegoating of Radio Caroline by targeting its revenue-earning potential. It demonstrates the use of financial control mechanisms to mask the strategies of governments.