TY - JOUR
T1 - From Gangs to Shopping Malls: Sentimental Aesthetics in Vietnamese Australian Community Arts
AU - BROOK, Scott
N1 - Funding Information:
There are two reasons for this focus on AVYM in relation to the dissolution of the CCDB of the AC which occurred in 2004. First, the defunding of the CCDB had a direct effect on AVYM’s finances. AVYM had been very successful over the years in gaining funding from the CCDB for a number of shows, and in 2000 a CCD fellowship was awarded to its founding director. More significantly, however, was the loss of recurrent funding. In the lead up to the dissolution of the CCDB, the host organisation for AVYM lost its triennial funding and was required to make drastic reductions to its operating budget, including scrapping support for AVYM. Since 1998 FCAC had funded a part-time position for an AVYM director, as well as provided access to resources, such as office, rehearsal, workshop and performance space. While AVYM produced several highly successful theatre shows with support from other community and professional arts organisations subsequent to defunding, such as the Vietnamese Community Association, this loss was arguably the major blow to the group’s viability.
PY - 2014
Y1 - 2014
N2 - This article describes developments in Vietnamese Australian community arts in the context of recent reforms to Community Cultural Development (CCD) funding. While a discussion of two case studies suggests these reforms have encouraged a shift towards post-welfarist and enterprising modes of project development, the article argues that conspicuously 'cosmo-multiculturalist' and 'sentimental aesthetics' cannot be explained entirely in terms of post-1980s cultural policies of the Australian Labour government. The article concludes that recent attempts to link CCD work to professional arts networks were in fact anticipated by the explicit agendas of Vietnamese Australian CCD workers themselves, although for quite different purposes.
AB - This article describes developments in Vietnamese Australian community arts in the context of recent reforms to Community Cultural Development (CCD) funding. While a discussion of two case studies suggests these reforms have encouraged a shift towards post-welfarist and enterprising modes of project development, the article argues that conspicuously 'cosmo-multiculturalist' and 'sentimental aesthetics' cannot be explained entirely in terms of post-1980s cultural policies of the Australian Labour government. The article concludes that recent attempts to link CCD work to professional arts networks were in fact anticipated by the explicit agendas of Vietnamese Australian CCD workers themselves, although for quite different purposes.
KW - Community theatre
KW - sentimentalism
KW - Cosmopolitan Multiculturalism
KW - Vietnamese Australian Community Arts
KW - Community Cultural Development
KW - Sentimental Aesthetics
UR - http://www.scopus.com/inward/record.url?scp=84900408255&partnerID=8YFLogxK
UR - http://www.mendeley.com/research/gangs-shopping-malls-sentimental-aesthetics-vietnamese-australian-community-arts
U2 - 10.1080/07256868.2014.899952
DO - 10.1080/07256868.2014.899952
M3 - Article
SN - 0725-6868
VL - 35
SP - 281
EP - 294
JO - Journal of Intercultural Studies
JF - Journal of Intercultural Studies
IS - 3
ER -