TY - JOUR
T1 - Haiku and recovery
T2 - an immersive workshop
AU - Bullock, Owen
N1 - Funding Information:
[1] Haiku have been written in a military context in the past. Sandra Simpson describes French, Italian and English soldier-poets who wrote haiku in the trenches, see Snapshots: Haiku in the Great War. Juxta, 2(1). https://thehaikufoundation.org/juxta/juxta-2-1/snapshots-haiku-in-the-great-war/ This research is funded by the Australian Defence Force through the Arts for Recovery, Resilience, Teamwork and Skills program. There are no conflicts of interest.
Publisher Copyright:
© 2021, Australasian Association of Writing Programs. All rights reserved.
PY - 2021/4/30
Y1 - 2021/4/30
N2 - Haiku are grounded in the appreciation of nature and specific experiences. They lend themselves to being workshopped and to initiating, more broadly, editing strategies that may also be useful in other contexts. This essay, about an immersive teaching practice, focuses on the qualities of haiku for maximum engagement in a short period of time. The method has been developed by the author whilst acting as a creative writing mentor for the Australian Defence Force Arts for Recovery, Resilience, Teamwork and Skills program at the University of Canberra, a partnership with the Australian Defence Force. Participants have had little or no previous exposure to haiku. The workshop is in four stages: a discussion introducing examples of haiku for discussion; a haiku walk; an editing session conducted on a large white board; and a “haiku checklist” to take away and continue working with. This checklist offers a core of information on writing haiku, distilled from the discussion of guidelines, which will be useful for teachers. The inclusion of a selection of examples from participants demonstrates how an immersive teaching process can instil the essentials of the haiku form in a relatively short span of time.
AB - Haiku are grounded in the appreciation of nature and specific experiences. They lend themselves to being workshopped and to initiating, more broadly, editing strategies that may also be useful in other contexts. This essay, about an immersive teaching practice, focuses on the qualities of haiku for maximum engagement in a short period of time. The method has been developed by the author whilst acting as a creative writing mentor for the Australian Defence Force Arts for Recovery, Resilience, Teamwork and Skills program at the University of Canberra, a partnership with the Australian Defence Force. Participants have had little or no previous exposure to haiku. The workshop is in four stages: a discussion introducing examples of haiku for discussion; a haiku walk; an editing session conducted on a large white board; and a “haiku checklist” to take away and continue working with. This checklist offers a core of information on writing haiku, distilled from the discussion of guidelines, which will be useful for teachers. The inclusion of a selection of examples from participants demonstrates how an immersive teaching process can instil the essentials of the haiku form in a relatively short span of time.
KW - Editing
KW - Gingko
KW - Haiku
KW - Recovery
KW - Teaching
UR - http://www.scopus.com/inward/record.url?scp=85120168171&partnerID=8YFLogxK
U2 - 10.52086/001c.23463
DO - 10.52086/001c.23463
M3 - Article
SN - 1327-9556
VL - 15
SP - 1
EP - 26
JO - TEXT: Journal of Writing and Writing Courses
JF - TEXT: Journal of Writing and Writing Courses
IS - 1
ER -