TY - JOUR
T1 - Humor, Ridicule, and the Far Right
T2 - Mainstreaming Exclusion Through Online Animation
AU - McSwiney, Jordan
AU - Sengul, Kurt
N1 - Publisher Copyright:
© The Author(s) 2023.
PY - 2024/5
Y1 - 2024/5
N2 - This paper critically examines the use of online humor and ridicule to promote and normalize far-right exclusionary discourses. Through a critical qualitative study of the Please Explain miniseries, a series of thirty-four short web cartoons produced by Australian far-right populist party, Pauline Hanson’s One Nation, we explore the strategic use of humor in the communicative arsenal of the contemporary far-right. Drawing on critical discourse analysis and thematic analysis, we examine how humor is used to soften articulations of exclusionary and supremacist ideas, including racism, misogyny, and queerphobia. Our findings suggest that the frivolity and irony of the online animated genre works to stretch the boundaries of the sayable, potentially making the content more palatable to non-far-right audiences. We argue that the strategic use of exclusionary humor forms part of a wider project of far-right discursive mainstreaming that simultaneously (re)legitimizes everyday expressions of exclusion.
AB - This paper critically examines the use of online humor and ridicule to promote and normalize far-right exclusionary discourses. Through a critical qualitative study of the Please Explain miniseries, a series of thirty-four short web cartoons produced by Australian far-right populist party, Pauline Hanson’s One Nation, we explore the strategic use of humor in the communicative arsenal of the contemporary far-right. Drawing on critical discourse analysis and thematic analysis, we examine how humor is used to soften articulations of exclusionary and supremacist ideas, including racism, misogyny, and queerphobia. Our findings suggest that the frivolity and irony of the online animated genre works to stretch the boundaries of the sayable, potentially making the content more palatable to non-far-right audiences. We argue that the strategic use of exclusionary humor forms part of a wider project of far-right discursive mainstreaming that simultaneously (re)legitimizes everyday expressions of exclusion.
KW - racism
KW - humor
KW - mainstreaming
KW - far right
KW - video
KW - critical discourse analysis
UR - http://www.scopus.com/inward/record.url?scp=85178295397&partnerID=8YFLogxK
U2 - 10.1177/15274764231213816
DO - 10.1177/15274764231213816
M3 - Article
SN - 1527-4764
VL - 25
SP - 315
EP - 333
JO - Television and New Media
JF - Television and New Media
IS - 4
ER -