Abstract
Music streaming can alter what was once a private activity into something more seemingly public. Around 2016, streaming became the dominant way people engaged with recordings of music. Users engage in a constant process of renting music, by perpetually paying to use these services or by providing access to user data. Streaming services operate simultaneously in two types of markets: the circulation of music for users; and the exploitation of users’ data and attention. With this sharing, music streaming has altered the social experience of listening to music. Now, anyone with an account could potentially be listening in and seeing what music we choose to spend our time with.
Original language | English |
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Pages | 1-4 |
Number of pages | 4 |
Specialist publication | The Conversation |
Publication status | Published - 30 Jan 2024 |