TY - JOUR
T1 - Ice towns
T2 - Television representations of crystal methamphetamine use in rural Australia
AU - Waller, Lisa
AU - Clifford, Katrina
N1 - Funding Information:
An earlier version of this article was presented at the Rural Crime Workshop, 7-8 February 2019 convened by Dr Alistair Harkness of Federation University, Victoria, and funded by the Academy of Social Sciences Australia. We are grateful to all workshop participants for their guidance and input on the development of this work. We also thank the two anonymous reviewers for Crime, Media, Culture for their helpful and constructive comments. The authors received no financial support for the research, authorship, and/or publication of this article.
Publisher Copyright:
© The Author(s) 2019.
PY - 2020/8/1
Y1 - 2020/8/1
N2 - The Australian news media regularly presents crystal methamphetamine use as a non-metropolitan ‘epidemic’ sweeping through country towns with devastating consequences for affected communities. Considerations of place and the notion of rurality are therefore crucial to understanding how these media representations are constructed and their power to influence national understandings of rural people, places and policy debates. In order to explore these complexities, we apply Simon Cottle’s ‘communicative architecture of television’ methodology to an analysis of three long-form reportage television programmes on the theme of ice use in small Australian towns. Theories of ‘social imaginaries’ inform the argument that a distinctive Australian ‘agrarian imaginary’ can be discerned through the reporting’s strong associations with the connections and contradictions attached to ideas and emotions about ‘the bush’. The television programmes draw on what Cottle terms ‘mythic’ and ‘collective’ frames that reach into the cultural reservoirs of communities to reinforce national perceptions, values and narratives about how rural communities ought to be, and by extension, how they ought to deal with complex social problems, such as illicit drug distribution and use.
AB - The Australian news media regularly presents crystal methamphetamine use as a non-metropolitan ‘epidemic’ sweeping through country towns with devastating consequences for affected communities. Considerations of place and the notion of rurality are therefore crucial to understanding how these media representations are constructed and their power to influence national understandings of rural people, places and policy debates. In order to explore these complexities, we apply Simon Cottle’s ‘communicative architecture of television’ methodology to an analysis of three long-form reportage television programmes on the theme of ice use in small Australian towns. Theories of ‘social imaginaries’ inform the argument that a distinctive Australian ‘agrarian imaginary’ can be discerned through the reporting’s strong associations with the connections and contradictions attached to ideas and emotions about ‘the bush’. The television programmes draw on what Cottle terms ‘mythic’ and ‘collective’ frames that reach into the cultural reservoirs of communities to reinforce national perceptions, values and narratives about how rural communities ought to be, and by extension, how they ought to deal with complex social problems, such as illicit drug distribution and use.
KW - Agrarian imaginary
KW - Australian news media
KW - crystal methamphetamine
KW - rural drug crime
KW - rural ice use
KW - television crime news
UR - http://www.scopus.com/inward/record.url?scp=85065171972&partnerID=8YFLogxK
U2 - 10.1177/1741659019845025
DO - 10.1177/1741659019845025
M3 - Article
AN - SCOPUS:85065171972
VL - 16
SP - 185
EP - 199
JO - Crime, Media, Culture
JF - Crime, Media, Culture
SN - 1741-6590
IS - 2
ER -