TY - JOUR
T1 - Nested assemblages
T2 - Migrants, war heritage, informal learning and national identities
AU - Roppola, Tiina
AU - Packer, Jan
AU - Uzzell, David
AU - Ballantyne, Roy
N1 - Funding Information:
This work was supported by the Australian Research Council [DP130101258]. This research was supported by the Australian Government through the Australian Research Council?s Discovery Projects funding scheme (project DP130101258). The views expressed herein are those of the authors and are not necessarily those of the Australian Government or Australian Research Council.
Funding Information:
This research was supported by the Australian Government through the Australian Research Council’s Discovery Projects funding scheme (project DP130101258). The views expressed herein are those of the authors and are not necessarily those of the Australian Government or Australian Research Council.
Publisher Copyright:
© 2019, © 2019 Tiina Roppola, Jan Packer, David Uzzell and Roy Ballantyne. Published with license by Informa UK Limited, trading as Taylor & Francis Group.
Funding Information:
This research was supported by the Australian Government through the Australian Research Council’s Discovery Projects funding scheme (project DP130101258). The views expressed herein are those of the authors and are not necessarily those of the Australian Government or Australian Research Council.
Publisher Copyright:
© 2019, © 2019 Tiina Roppola, Jan Packer, David Uzzell and Roy Ballantyne. Published with license by Informa UK Limited, trading as Taylor & Francis Group.
PY - 2019
Y1 - 2019
N2 - This article examines relations between Anzac heritage and Australian national identity, among migrant visitors to the Australian War Memorial (AWM). What meaning could a story derived from Australian involvement in the First World War have to migrants who moved to Australia after the Second World War? Participants in qualitative interviews were eleven first-generation Australians, whose countries of birth were England, Greece, Ireland, New Zealand, Philippines, Scotland, South Africa and Sri Lanka, with parental countries of birth extending to Austria, Germany, India and Japan. Drawing on sociomaterial assemblage theory, the findings illustrate the concept of nested assemblages. At increasing scalar levels, the migrants form visitor-AWM assemblages, they may (or may not) feel part of a national Anzac heritage assemblage, and as migrants they are entangled in multiple national assemblages concurrently. Assemblages pertaining to family, faith, learning and memorialising were additional networks at play. Mapping interrelations amongst these assemblages showed migrants as actively gathering and interpreting heritage, sometimes as the enactment of national identity and at other times as the performance of informal, lifelong learning. The findings have importance to institutions seeking to be responsive to diverse and changing populations, particularly those wrestling with tensions around national identity.
AB - This article examines relations between Anzac heritage and Australian national identity, among migrant visitors to the Australian War Memorial (AWM). What meaning could a story derived from Australian involvement in the First World War have to migrants who moved to Australia after the Second World War? Participants in qualitative interviews were eleven first-generation Australians, whose countries of birth were England, Greece, Ireland, New Zealand, Philippines, Scotland, South Africa and Sri Lanka, with parental countries of birth extending to Austria, Germany, India and Japan. Drawing on sociomaterial assemblage theory, the findings illustrate the concept of nested assemblages. At increasing scalar levels, the migrants form visitor-AWM assemblages, they may (or may not) feel part of a national Anzac heritage assemblage, and as migrants they are entangled in multiple national assemblages concurrently. Assemblages pertaining to family, faith, learning and memorialising were additional networks at play. Mapping interrelations amongst these assemblages showed migrants as actively gathering and interpreting heritage, sometimes as the enactment of national identity and at other times as the performance of informal, lifelong learning. The findings have importance to institutions seeking to be responsive to diverse and changing populations, particularly those wrestling with tensions around national identity.
KW - Anzac
KW - informal learning
KW - migrant
KW - national identity
KW - Sociomaterial assemblage
KW - war museum
UR - http://www.scopus.com/inward/record.url?scp=85063773331&partnerID=8YFLogxK
U2 - 10.1080/13527258.2019.1578986
DO - 10.1080/13527258.2019.1578986
M3 - Article
AN - SCOPUS:85063773331
SN - 1352-7258
VL - 25
SP - 1205
EP - 1223
JO - International Journal of Heritage Studies
JF - International Journal of Heritage Studies
IS - 11
ER -