Outback noir and Gothic creepiness: the uncanny is never far away in Martine Kropowski’s Everywhere We Look

Jen WEBB

Outback noir and Gothic creepiness: the uncanny is never far away in Martine Kropowski’s Everywhere We Look

Jen WEBB

Research output: Contribution to Newspaper/Magazine/Bulletin › Book/Film/Article review

Abstract

This review focuses on the Australian gothic, and its potential to interrogate, and highlight, abuses beyond the conventions of the genre. In particular, it attends to the two experiences of friendships, and domestic violence, transported from the urban to the rural setting.

Original language	English
Pages	1-4
Number of pages	4
Specialist publication	The Conversation
Publication status	Published - 24 Oct 2024

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

SDG 5 Gender Equality
SDG 16 Peace, Justice and Strong Institutions

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https://theconversation.com/outback-noir-and-gothic-creepiness-the-uncanny-is-never-far-away-in-martine-kropkowskis-everywhere-we-look-240439

Cite this

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Outback noir and Gothic creepiness: the uncanny is never far away in Martine Kropowski’s Everywhere We Look

Abstract

UN SDGs

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