Playing with Time: Prose poetry and the elastic moment

Paul MUNDEN

Research output: Contribution to journalSpecial issue

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Abstract

The prose poem typically presents itself in the guise of a paragraph, suggesting that readers treat it as such: a narrative fragment. As a narrative ‘unit’ it might be expected to focus on a relatively brief moment in time, a tightly framed episode. Its isolation (from any other fragments of the imaginary ‘whole’), however, would seem to drive its attentions according to principles different to most lengthier narrative prose. The passage of time that might, for a longer narrative, stretch across its entirety, becomes, in many cases, a feature of the prose poem’s concision—and particular power. The elastic treatment of the ‘moment’—sometimes connecting with both distant past and future—can therefore be identified as one of the form’s defining, poetic characteristics; intriguingly, it is a characteristic owing its effect, in part at least, to the fluidity of prose. This paper surveys a particular body of prose poetry, produced under the auspices of the International Poetry Studies Institute (IPSI), noting the prevalence of the elastic moment and considering the variety of techniques involved.
Original languageEnglish
Pages (from-to)1-13
Number of pages13
JournalTEXT: Journal of Writing and Writing Courses
Volume46
Publication statusPublished - Oct 2017

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Prose Poetry
Prose Poem
Prose
Poetic Form
Reader
Passage of Time
Paragraph
Fluidity
Poetry
Isolation

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Playing with Time: Prose poetry and the elastic moment. / MUNDEN, Paul.

In: TEXT: Journal of Writing and Writing Courses, Vol. 46, 10.2017, p. 1-13.

Research output: Contribution to journalSpecial issue

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