This paper is based on an exegetical pr cis presented to the symposium Poetry and the Artist Book (April 7, 2017), which accompanied the exhibition Reading Spaces. The exhibition presented the body of research artwork. The pr cis has been edited in the light of further writing before the final exegesis submission for assessment in September 2017. The overall project is called Collaborative Materiality: poets/ poetry/ letterpress/ artist books. The doctorate was conferred in April 2018.
|Number of pages||11|
|Journal||The Blue Notebook: a new journal for artists' books|
|Publication status||Published - 2018|