Abstract
Alison Whittaker’s début collection, Lemons in the Chicken Wire (2015), introduced a genuinely new voice to Australian poetry: that of a Gomeroi woman, a Fulbright scholar, and a poet who can bend and blend forms with the best of them. Her second collection of poems, Blakwork, places her firmly in both the broad community of celebrated Australian poets and the celebrated Aboriginal writers in Magabala’s lists
Original language | English |
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Pages (from-to) | 51–52 |
Number of pages | 2 |
Journal | Australian Book Review |
Volume | April 2019 |
Publication status | Published - Apr 2019 |