Abstract
In order to get to grips with notions of ‘quality’, this chapter briefly considers how judgements of taste have been made with regard to television more broadly and the television crime drama in particular. It also considers how the concept of ‘value’ might offer a much more useful approach, especially within the Australian context. As an Australian television show produced for an international audience on a global digital network, The Kettering Incident offers an illuminating case study for arguing that a far more useful criterion for judging the importance of current screen productions, especially crime drama series, might lie in the concept of ‘value’, rather than in the notion of ‘quality’. To understand the economic value of a television program, it is necessary to look beyond simple price estimates to the monetary, non-monetary, cultural and social values that may be derived from a screen production for all involved.
| Original language | English |
|---|---|
| Title of host publication | A Companion to Australian Cinema |
| Editors | Felicity Collins, Jane Landman, Susan Bye |
| Publisher | Wiley |
| Chapter | 19 |
| Pages | 391-415 |
| Number of pages | 25 |
| ISBN (Electronic) | 9781118942567 |
| ISBN (Print) | 9781118942529 |
| DOIs | |
| Publication status | Published - 13 Apr 2019 |
| Externally published | Yes |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
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