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Self

  • Yushan Zou
  • , Fanke Peng

    Research output: Non-textual formExhibition

    62 Downloads (Pure)

    Abstract

    The Self is a series of watercolour illustrations that made the authors’ empathy
    and reflection of ‘isolation’ visible. This artwork presents the contemporary
    visual arts research, which is motivated by the context of pandemic disease,
    personal and subjective concerns. Since the beginning of 2020, the outbreak
    of COVID-19 has affected humans all around the world. It caused many
    people in isolation mode. Watercolour painting was chosen as a medium to
    conceptually express the “human body” under isolation. ‘Human body’ and
    ‘transparent film’ are the two key elements in the illustrations. The “affective”
    quality of art contributes to a new understanding of the experience of trauma
    and loss (Bennett, J. 2005). The authors hope to raise the public awareness of
    isolation, as well as the pandemic, by increasing audience empathy.

    Reference: Bennett, J. (2005). Empathic Vision: Affect, trauma, and contemporary
    art. Stanford University Press.
    Original languageEnglish
    PublisherBelconnen Arts Centre
    Media of outputOnline
    Publication statusPublished - 2020

    UN SDGs

    This output contributes to the following UN Sustainable Development Goals (SDGs)

    1. SDG 3 - Good Health and Well-being
      SDG 3 Good Health and Well-being

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