Abstract
Kurt Schwitters’ small cathedral model from 1920, Haus Merz (House Merz), provides an extraordinary point of entry for the study of a key moment in German architectural history when artists and architects set aside their divisions to project a new German architecture as a Gesamtkunstwerk (Total Work of Art).
| Original language | English |
|---|---|
| Pages (from-to) | 49-58 |
| Number of pages | 10 |
| Journal | Interstices |
| Volume | 0 |
| Issue number | 14 |
| Publication status | Published - 2013 |